{"id":18510,"date":"2026-04-11T17:15:52","date_gmt":"2026-04-11T15:15:52","guid":{"rendered":"https:\/\/videomappingfestival.com\/video-mapping-awards-palmares-2026\/"},"modified":"2026-04-11T17:30:25","modified_gmt":"2026-04-11T15:30:25","slug":"video-mapping-awards-prize-list-2026","status":"publish","type":"post","link":"https:\/\/videomappingfestival.com\/en\/video-mapping-awards-prize-list-2026\/","title":{"rendered":"VIDEO MAPPING AWARDS \u2013 Prize List 2026"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]Every year, the Video Mapping Festival offers a video mapping competition to reward the best productions of the year.<\/strong>
\nThe video mapping selected during a pre-selection were presented to the public in the form of video recordings on Saturday 11th<\/sup> of April 2026 at the Gare Saint Sauveur (Lille), as part of the Video Mapping Festival #9.<\/p>\n

In the evening, a Jury composed of mapping professionals awarded the best creations of 2025 during the closing ceremony of IBSIC.<\/p>\n

Discover the Prize List below!<\/p>\n

The Grand Prize winner receives a pico projector from EPSON France.
\nEach winner receives a MadMapper licence.
\nThe prizes are designed by ruestungsschmie.de and 3D printed by Future Campus Ruhr.
\n<\/em><\/p>\n

> More info about the Video Mapping Awards<\/strong><\/a>[\/vc_column_text][vc_empty_space height=”25px”][vc_separator color=”custom” align=”align_left” border_width=”2″ el_width=”20″ css=”” accent_color=”#00ABA2″][vc_column_text css=””]<\/p>\n

GRAND PRIZE<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text css=””]Passions Humaines<\/b>[\/vc_column_text][vc_single_image image=”18274″ img_size=”570×321″ css=”.vc_custom_1774967646986{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1775921267388{margin-top: -15px !important;}”]Magicstreet \u2013 Antoine Goldschmidt, Florian Guibert \/ Belgium \/ 2025 \/ Monumental mapping \/ 6 min
\n<\/em>Music, sound design: Margaret Hermant, Fabien Leseure, Pierre Dozin
\n<\/em>Showing: Horta-Lambeaux Pavilion \u2013 Cinquantenaire Park, Brussels, Belgium (Bright Brussels Festival)<\/p>\n

Passions <\/em>Humaines uses mapping to interact with the monumental high relief by sculptor Jef Lambeaux. The work explores the connection, coexistence, and dialogue between classical and digital art forms.
\nThe bodies carved from Carrara marble are gradually revealed and come to life in an intense composition that transforms and transcends the audience\u2019s view of our Human Passions.[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]<\/p>\n

PRIZE FOR BEST SOUND DESIGN<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text css=””]Metatecture<\/b>[\/vc_column_text][vc_single_image image=”18290″ img_size=”570×321″ css=”.vc_custom_1774967730414{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1775921302872{margin-top: -15px !important;}”]Daniel Rossa \/ Germany \/ 2025 \/ Monumental mapping \/ 6 min 48
\nMusic, sound design: Tibslc
\n<\/em>Showing: RBA, Barcelona, Spain (Llum BCN)
\n
\n<\/em>Metatecture<\/em>\u00a0is a site-specific audiovisual intervention that enables the building to reflect on its own means of architectural construction through dreamlike sequences. Using the fa\u00e7ade\u2019s sun-blind system as both subject and instrument, immersion is deliberately disrupted to expose the tools, layers, and artificial nature of the staging itself.[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]<\/p>\n

INNOVATION PRIZE<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text css=””]Sichtbar Werden (Becoming Visible)<\/b>[\/vc_column_text][vc_single_image image=”18282″ img_size=”570×321″ css=”.vc_custom_1774967694386{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1775921334387{margin-top: -15px !important;}”]Lukas Taido \/ Germany \/ 2025 \/ Monumental mapping \/ 8 min 44
\n<\/em>Music, sound design: Lukas Taido
\n<\/em>Showing: Volksbank building, Leipzig, Germany (Leipzig Festival of Lights)<\/p>\n

When opposing a totalitarian regime, the first step is to make yourself visible. But by doing so, the protesters in East-Germany 1989 found themselves in the crosshairs of the SED surveillance state. Yet, more and more people dared to open their window curtains, appear in the streets, and finally, to light candles-symbol of the peaceful revolution[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]<\/p>\n

PRIZE FOR BEST IMMERSIVE WORK<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text css=””]NEVER TRUST HAL 9000<\/b>[\/vc_column_text][vc_single_image image=”18286″ img_size=”570×321″ css=”.vc_custom_1774967712314{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1775921365158{margin-top: -15px !important;}”]Simon Lazarus 84 \/ France \/ 2025 \/ Immersive mapping \/ 3 min 45
\nMusic, sound design: s8jfou
\n<\/em>Showing: Trinitarian Cloister, Metz, France (Constellations de Metz)<\/p>\n

The sun rises over the convent: a herd of colorful paintings floats there in complete tranquility, sheltered behind a curious mesh that evokes a zoo enclosure, a clockwork mechanism and a mixing desk.
\nThis mechanism comes to life and seems to have an impact on the fauna, the flora and the landscape in the background.
\nLike a remote control, it alters the hues, the direction of reading, or the brightness of the video elements, and produces musical notes that interact with the panorama. At the beginning, the horizon evolves at its own pace in perfect serenity; the grid, like a well-oiled mechanism, plays along with it, setting the rhythm of the decor. But the control system triggers a reaction from the landscape that in turn disrupts the grid and opens Pandora\u2019s box.
\nNEVER TRUST HAL 9000<\/em>\u00a0is a story about grids, tools, control and structure. About harmony and disorder, poetry in dissonance and balance in mayhem. About joyfully watching a system gone crazy slowly falling down.
\n\u201cMan makes plans, God laughs.\u201d (Yiddish proverb)[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]<\/p>\n

EMERGING ARTIST PRIZE<\/strong><\/h4>\n

[\/vc_column_text][vc_column_text css=””]A body that hurts<\/b>[\/vc_column_text][vc_single_image image=”18270″ img_size=”570×321″ css=”.vc_custom_1774967614699{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1775921396987{margin-top: -15px !important;}”]David Espitia, Feno Dias \/ Colombia, Portugal \/ 2025 \/ Mapping on object \/ 4 min 05
\nMusic, sound design: Mar\u00eda Juliana Gonz\u00e1lez Silva
\n<\/em>Showing: Lusofona University, Lisbon, Portugal<\/p>\n

A body that hurts<\/em>\u00a0is a video installation conceived out of a request from the body to be fully involved in the task of animation. The mechanical nature of the work leads to the neglect of the body, causing pain, fatigue, and discomfort. Through repetitive actions, grotesque sound and the use of different hands-on techniques, the video explores the decaying body as an operator rather than a creator, reflecting the lack of attention put into the flesh during labor.[\/vc_column_text][vc_empty_space height=”15px”][vc_empty_space height=”30px”][vc_separator color=”custom” align=”align_left” border_width=”2″ el_width=”20″ css=”” accent_color=”#00ABA2″][vc_column_text css=””]Video Mapping Awards pre-selection Jury:<\/strong>
\n\u2022 Ross Ashton \u2013 creative director, The Projection Studio (United Kingdom)
\n\u2022 Marko Bolkovi\u0107 \u2013 director, Visualia Festival of Light (Croatia)
\n\u2022 L\u00e1szl\u00f3 Zsolt Bordos \u2013 artist (Hungary)
\n\u2022 Nika Perne \u2013 curator (Slovenia)<\/p>\n

Video Mapping Awards Jury:<\/strong>
\n\u2022 Laurent Delforge \u2013 composer and sound designer, NONE Studio (Belgium)
\n\u2022 Carmen Gil Vrolijk \u2013 artistic director and curator, La Quinta del Lobo, University of the Andes, RETA.HEX (Colombia)
\n\u2022 Virginie Martin \u2013 artistic director (France)
\n\u2022 Jieun Min \u2013 public exhibition director (Republic of Korea)
\n\u2022 Dong Wang \u2013 founder, CEO and curator, Alight, Shanghai International Light Festival (China)<\/p>\n

Jieun Min\u2019s participation is supported by the Cultural Department of the French Embassy in the Republic of Korea, the Ministry for Europe and Foreign Affairs, and the Institut fran\u00e7ais as part of the strategy for the international export of cultural and creative industries.<\/em><\/p>\n

Dong Wang\u2019s participation is supported by the Institut fran\u00e7ais in China.<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n

\n\t\n\t\n\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=””]Every year, the Video Mapping Festival offers a video mapping competition to reward the best productions of the year. The video mapping selected during a pre-selection were presented to the public in the form of video recordings on Saturday 11th of April 2026 at the Gare Saint Sauveur (Lille), as part of the Video […]<\/p>\n

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