{"id":18301,"date":"2026-03-31T16:55:27","date_gmt":"2026-03-31T14:55:27","guid":{"rendered":"https:\/\/videomappingfestival.com\/?p=18301"},"modified":"2026-04-01T12:54:45","modified_gmt":"2026-04-01T10:54:45","slug":"video-mapping-awards-programme","status":"publish","type":"post","link":"https:\/\/videomappingfestival.com\/en\/video-mapping-awards-programme\/","title":{"rendered":"VIDEO MAPPING AWARDS \u2013 Programme"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css_animation=”none” css=””][vc_row][vc_column][vc_column_text css=””]Video mapping competition<\/strong><\/p>\n

Saturday 11th<\/sup> of April 2026 \/ 10 am
\nGare Saint Sauveur, Lille
\nAs part of IBSIC – Only for participants registered for Saturday’s event<\/em><\/strong><\/p>\n

Every year, the Video Mapping Festival presents a video mapping competition to reward the best productions of the year. The video mapping selected during a pre-selection are presented to the public in the form of video recordings.
\nFollowing the screening of the Video Mapping Awards competition, the Jury will award the prizes for the best productions of the year 2025: Grand Prize, Prize for Best Sound Design, Innovation Prize, Prize for Best Immersive Work and Emerging Artist Prize.<\/p>\n

The prize ceremony will take place on Saturday 11th<\/sup> of April at 7 pm at the Gare Saint Sauveur (Lille) as part of IBSIC’s closing<\/p>\n

The Grand Prize winner will receive a pico projector from EPSON France.
\nEach winner will receive a MadMapper licence.
\nThe prizes are designed by ruestungsschmie.de and 3D printed by Future Campus Ruhr.<\/em><\/p>\n

Duration: approx. 2h30 with intermission<\/strong>
\n[\/vc_column_text][vc_empty_space height=”25px”][vc_separator color=”custom” align=”align_left” border_width=”2″ el_width=”20″ css=”” accent_color=”#00ABA2″][vc_column_text css=””]LUX ARCANA<\/b>[\/vc_column_text][vc_single_image image=”18260″ img_size=”570×321″ css=”.vc_custom_1774967551456{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969154606{margin-top: -15px !important;}”]Felix Frank \/ Germany \/ 2025 \/ Monumental mapping \/ 6 min 20
\nMusic, sound design: ESTEBANOISE<\/em>
\nShowing: Stern-Center, L\u00fcdenscheid, Germany (Lichtrouten 2025)<\/p>\n

LUX ARCANA<\/em> reimagines the brutalist rear facade of the Stern-Center through a gentle, living light. Precise 3D mapping animates the grey architecture from within, dissolving mass into a poetic narrative of inner radiance, optical rhythm and spatial transformation.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]PRO PACE\u00a0<\/b>[\/vc_column_text][vc_single_image image=”18262″ img_size=”570×321″ css=”.vc_custom_1774967564782{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969178005{margin-top: -15px !important;}”]Anima Lux – Yann Nguema \/ France \/ 2025 \/ Monumental mapping \/ 8 min
\nMusic, sound design: Mischa Blanos <\/em>
\nShowing: City Hall, Stockholm, Su\u00e8de (Nobel Week Lights)<\/p>\n

The title Pro Pace<\/em> is taken from the inscription \u201cPro pace et fraternitate gentium\u201d on the reverse side of the Nobel Peace Prize medal, which means “For peace and brotherhood among people”. The work highlights a selection of Nobel Peace Prize laureates and refers to the two places closely linked to the Nobel Prize: Stockholm and Oslo. The laureates were chosen from among organisations and individuals whose struggles and achievements are particularly relevant in the context of current events.
\n\u201cSome of the causes championed by the laureates are still particularly threatened today, and I think it is important to (re)highlight them at this event.\u201d Y. Nguema
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Semantic Failure<\/b>[\/vc_column_text][vc_single_image image=”18264″ img_size=”570×321″ css=”.vc_custom_1774967576314{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969196654{margin-top: -15px !important;}”]Sasha Kojjio \/ Russia, Spain \/ 2025 \/ Immersive mapping \/ 5 min
\nMusic, sound design: Sasha Kojjio<\/em>
\nShowing: Bombas Gens Centro de Artes Digitales, Valencia, Spain (Volumens Festival)<\/p>\n

Semantic Failure<\/em> is an audiovisual artwork created for 360 projection spaces employs aesthetics of textual structures to explore the complexity of digital communication and the nature of meaning in the AI.[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]LICHTWERK<\/b>[\/vc_column_text][vc_single_image image=”18266″ img_size=”570×321″ css=”.vc_custom_1774967585165{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969549864{margin-top: -15px !important;}”]Studio Julian H\u00f6lscher – Julian H\u00f6lscher \/ Germany \/ 2025 \/ Monumental mapping \/ 6 min (preview of 3 min 50)<\/em>
\nMusic, sound design: Thomas Werner<\/em>
\nShowing: Ph\u00e4nomenta Tower, L\u00fcdenscheid, Germany (Lichtrouten 2025)<\/p>\n

In the centre of the tower is a Foucault pendulum, whose radial movement makes the Earth’s rotation perceptible. The site-specific work stages the pendulum as the driving force behind the animation. It transforms the tower into a kind of power station that captures cosmic light from the sky and breaks it down into its spectral colours.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Reflets dansants<\/b>[\/vc_column_text][vc_single_image image=”18268″ img_size=”570×321″ css=”.vc_custom_1774967599221{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969572149{margin-top: -15px !important;}”]Mandoline Hybride – Sonya Stefan, Julie Dalbec, S\u00e9bastien Pedneault \/ Canada \/ 2025 \/ Mapping monumental \/ 21 min 42
\nMusic, sound design: Guillaume Campion<\/em>
\nShowing: Marsoui, Quebec, Canada (FURIES Festival)<\/p>\n

Reflets dansants<\/em> is a light installation that offers passers-by a fresh perspective on the village\u2019s iconic buildings: Marsoui Church and the historic La Couquerie building. These heritage sites became the living canvas for a series of dancing images, drawn from the Regards Hybrides Collection and reimagined by director Sonya Stefan. This poetic and immersive work offered visitors a unique encounter between contemporary dance, video mapping and the Gasp\u00e9 region, in a profound celebration of everyday life and the landscape.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]A body that hurts<\/b>[\/vc_column_text][vc_single_image image=”18270″ img_size=”570×321″ css=”.vc_custom_1774967614699{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969599366{margin-top: -15px !important;}”]David Espitia, Feno Dias \/ Colombia, Portugal \/ 2025 \/ Mapping on object \/ 4 min 05
\nMusic, sound design: Mar\u00eda Juliana Gonz\u00e1lez Silva<\/em>
\nShowing: Lusofona University, Lisbon, Portugal
\n[Emerging artist category]<\/p>\n

A body that hurts <\/em>is a video installation conceived out of a request from the body to be fully involved in the task of animation. The mechanical nature of the work leads to the neglect of the body, causing pain, fatigue, and discomfort. Through repetitive actions, grotesque sound and the use of different hands-on techniques, the video explores the decaying body as an operator rather than a creator, reflecting the lack of attention put into the flesh during labor.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]MEET U<\/b>[\/vc_column_text][vc_single_image image=”18272″ img_size=”570×321″ css=”.vc_custom_1774967630671{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969624533{margin-top: -15px !important;}”]E-GO – Zhigang Wang & Yu Sun \/ China \/ 2025 \/ Monumental mapping \/ 7 min 38
\nMusic, sound design: Yanpeng Shao & Fangxia Wei <\/em>
\nShowing: Aranya Community Hall, Qinhuangdao, China (Aranya Theater Festival)<\/p>\n

Through the symbolic imagery of an astronaut and a unicorn, this work metaphorically explores humanity\u2019s quest for the unknown and the longing for a realm of purity. Within a surreal space co-created by multimedia visuals and the Aranya Chapel, it responds to the mysterious, unpredictable, yet uniquely captivating presences of the universe. Guiding viewers through a gentle encounter between technology and humanity, the piece leads us toward a utopia of the soul.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Passions Humaines<\/b>[\/vc_column_text][vc_single_image image=”18274″ img_size=”570×321″ css=”.vc_custom_1774967646986{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969647680{margin-top: -15px !important;}”]Magicstreet – Antoine Goldschmidt, Florian Guibert \/ Belgium \/ 2025 \/ Monumental mapping \/ 6 min
\nMusic, sound design: Margaret Hermant, Fabien Leseure, Pierre Dozin<\/em>
\nShowing: Horta-Lambeaux Pavilion – Cinquantenaire Park, Brussels, Belgium (Bright Brussels Festival)<\/p>\n

Passions Humaines<\/em> uses mapping to interact with the monumental high relief by sculptor Jef Lambeaux. The work explores the connection, coexistence, and dialogue between classical and digital art forms.
\nThe bodies carved from Carrara marble are gradually revealed and come to life in an intense composition that transforms and transcends the audience’s view of our Human Passions.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Luz y Palabra\u00a0<\/b>[\/vc_column_text][vc_single_image image=”18276″ img_size=”570×321″ css=”.vc_custom_1774967658621{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969684633{margin-top: -15px !important;}”]Photonic – Roberto Palma & Said Dokins \/ Mexico \/ 2025 \/ Immersive mapping \/ 5 min 21
\nMusic, sound design: Pablo Todd<\/em>
\nShowing: Laboratorio Arte Alameda, Mexico City, Mexico<\/p>\n

Luz y Palabra <\/em>is an intervention where writing expands through laser, UV light, and projection. The work establishes a dialogue between void and space: a reading between the lines in which light does not seek brilliance, but activates awareness, revealing traces that emerge as they are conceived by consciousness.[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Oscillations<\/b>[\/vc_column_text][vc_single_image image=”18278″ img_size=”570×321″ css=”.vc_custom_1774967670798{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969714599{margin-top: -15px !important;}”]Stage Performance – Marie Aubini\u00e8re \/ France \/ 2025 \/ Monumental mapping \/ 6 min 12
\nMusic, sound design: Emeric Rakotondrahaja<\/em>
\nShowing: Embarcad\u00e8re, Montauban, France (Les Lucioles Festival)
\n[Emerging artist category]<\/p>\n

Initially, a white vertical line appears, oscillates, freezes, and then gradually multiplies on both sides. It distorts vision by revealing an object that is both graphic and protean, offering a glimpse of the interior. It is a composition designed as a loop that plays alternately forwards and backwards.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]GLASSTIDES<\/b>[\/vc_column_text][vc_single_image image=”18280″ img_size=”570×321″ css=”.vc_custom_1774967684535{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969735099{margin-top: -15px !important;}”]Vanessa Hafenbr\u00e4dl \/ Germany \/ 2025 \/ Mapping on object \/ 10 min (preview of 1 min 10)
\nMusic, sound design: Andi Stecher<\/em>
\nShowing: Nantesbuch Foundation, Bad Heilbrunn, Germany<\/p>\n

A mountain made of glass, GLASSTIDES<\/em> is an artistic representation of the fragility and beauty of our ecosystem.
\nThe tides follow their eternal rhythm, unaffected by human activity. GLASSTIDES<\/em> encourages us to question our own significance in comparison to the great cycles of nature and, at the same time, opens up space to surrender to the beauty of our surroundings.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Sichtbar Werden (Becoming Visible)<\/b>[\/vc_column_text][vc_single_image image=”18282″ img_size=”570×321″ css=”.vc_custom_1774967694386{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969772232{margin-top: -15px !important;}”]Lukas Taido \/ Germany \/ 2025 \/ Monumental mapping \/ 8 min 44
\nMusic, sound design: Lukas Taido<\/em>
\nShowing: Volksbank building, Leipzig, Germany (Leipzig Festival of Lights)<\/p>\n

When opposing a totalitarian regime, the first step is to make yourself visible. But by doing so, the protesters in East-Germany 1989 found themselves in the crosshairs of the SED surveillance state. Yet, more and more people dared to open their window curtains, appear in the streets, and finally, to light candles-symbol of the peaceful revolution
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]SONOLUMIN 01<\/b>[\/vc_column_text][vc_single_image image=”18284″ img_size=”570×321″ css=”.vc_custom_1774967703004{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969794633{margin-top: -15px !important;}”]Diana Reichenbach \/ USA \/ 2025 \/ Monumental mapping \/ 4 min 30
\nMusic, sound design: Thad Anderson<\/em>
\nShowing: Alys Beach, Florida, USA (Digital Graffiti)
\n[Emerging artist category]
\n
\nSONOLUMIN 01<\/em> is an immersive visual music installation that begins in nature and slowly dissolves into a surreal digital environment. Projected onto architecture and trees, the work blurs boundaries between light, space, and landscape, reflecting the merging of analog and digital life.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]NEVER TRUST HAL 9000<\/b>[\/vc_column_text][vc_single_image image=”18286″ img_size=”570×321″ css=”.vc_custom_1774967712314{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969817067{margin-top: -15px !important;}”]Simon Lazarus 84 \/ France \/ 2025 \/ Immersive mapping \/ 3 min 45
\nMusic, sound design: s8jfou<\/em>
\nShowing: Trinitarian Cloister, Metz, France (Constellations de Metz)<\/p>\n

The sun rises over the convent: a herd of colorful paintings floats there in complete tranquility, sheltered behind a curious mesh that evokes a zoo enclosure, a clockwork mechanism and a mixing desk.
\nThis mechanism comes to life and seems to have an impact on the fauna, the flora and the landscape in the background.
\nLike a remote control, it alters the hues, the direction of reading, or the brightness of the video elements, and produces musical notes that interact with the panorama. At the beginning, the horizon evolves at its own pace in perfect serenity; the grid, like a well-oiled mechanism, plays along with it, setting the rhythm of the decor. But the control system triggers a reaction from the landscape that in turn disrupts the grid and opens Pandora\u2019s box.
\nNEVER TRUST HAL 9000<\/em> is a story about grids, tools, control and structure. About harmony and disorder, poetry in dissonance and balance in mayhem. About joyfully watching a system gone crazy slowly falling down.
\n\u201cMan makes plans, God laughs.\u201d (Yiddish proverb)
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Prismatorium<\/b>[\/vc_column_text][vc_single_image image=”18288″ img_size=”570×321″ css=”.vc_custom_1774967721364{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969845899{margin-top: -15px !important;}”]Nele Fack \/ Belgium \/ 2025 \/ Monumental mapping \/ 2 min 17
\nMusic, sound design: Niels Blondeel<\/em>
\nShowing: St Magdalene\u2019s Church, Brugge, Belgium (Winter Glow Festival)<\/p>\n

\u201cWhere color takes form\u201d. In the Prismatorium<\/em>, light is infused with its primary components: red, green, and blue, the foundation of all colors. Set against the facade of the Heilige Magdalenakerk, the videomapping reveals how color is built, layered, and brought to life.
\n[\/vc_column_text][vc_empty_space height=”15px”][vc_column_text css=””]Metatecture<\/b>[\/vc_column_text][vc_single_image image=”18290″ img_size=”570×321″ css=”.vc_custom_1774967730414{margin-top: -15px !important;}”][vc_column_text css=”.vc_custom_1774969862299{margin-top: -15px !important;}”]Daniel Rossa \/ Germany \/ 2025 \/ Monumental mapping \/ 6 min 48
\nMusic, sound design: Tibslc<\/em>
\nShowing: RBA, Barcelona, Spain (Llum BCN)<\/p>\n

Metatecture<\/em> is a site-specific audiovisual intervention that enables the building to reflect on its own means of architectural construction through dreamlike sequences. Using the fa\u00e7ade\u2019s sun-blind system as both subject and instrument, immersion is deliberately disrupted to expose the tools, layers, and artificial nature of the staging itself.
\n[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=””]***********<\/strong><\/p>\n

Video Mapping Awards pre-selection Jury: <\/strong>
\n\u2022 Ross Ashton – creative director, The Projection Studio (United Kingdom)
\n\u2022 Marko Bolkovi\u0107 – director, Visualia Festival of Light (Croatia)
\n\u2022 L\u00e1szl\u00f3 Zsolt Bordos – artist (Hungary)
\n\u2022 Nika Perne – curator (Slovenia)<\/p>\n

Video Mapping Awards Jury: <\/strong>
\n\u2022 Laurent Delforge – composer and sound designer, NONE Studio (Belgium)
\n\u2022 Carmen Gil Vrolijk – artistic director and curator, La Quinta del Lobo, University of the Andes, RETA.HEX (Colombia)
\n\u2022 Virginie Martin – artistic director (France)
\n\u2022 Jieun Min – public exhibition director (Republic of Korea)
\n\u2022 Dong Wang – founder, CEO and curator, Alight, Shanghai International Light Festival (China)<\/p>\n

Jieun Min’s participation is supported by the Cultural Department of the French Embassy in the Republic of Korea, the Ministry for Europe and Foreign Affairs, and the Institut fran\u00e7ais as part of the strategy for the international export of cultural and creative industries. <\/em><\/p>\n

Dong Wang\u2019s participation is supported by the Institut fran\u00e7ais in China.<\/em>
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n

\n\t\n\t\n\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css_animation=”none” css=””][vc_row][vc_column][vc_column_text css=””]Video mapping competition Saturday 11th of April 2026 \/ 10 am Gare Saint Sauveur, Lille As part of IBSIC – Only for participants registered for Saturday’s event Every year, the Video Mapping Festival presents a video mapping competition to reward the best productions of the year. The video mapping selected during a […]<\/p>\n

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